In the hallowed halls of the Tate Modern’s Turbine Hall, a breathtaking spectacle unfolded as acclaimed Ghanaian artist El Anatsui unveiled his most ambitious work to date.
Titled “Behind the Red Moon,” this monumental installation is the Tate’s annual Hyundai Commission for 2023, inviting visitors to embark on a journey through history and art. Anatsui’s innovative use of recycled materials and thought-provoking themes have created an immersive experience that defies conventional artistic boundaries.
Renewed Materials
The artist meticulously stitched together thousands of discarded bottle caps and metal from liquor bottles to form shimmering sculptural tapestries. These recycled elements not only contribute to the striking visual appeal of the installation but also carry profound messages about sustainability, the reimagining of waste, and the transformation of discarded objects into a powerful artistic statement.
Through his innovative use of recycled materials, El Anatsui showcases the potential for art to breathe new life into what might otherwise be considered mere refuse, underscoring the beauty and value that can be found in the most unexpected places
“This year’s Hyundai Commission by El Anatsui invites us to contemplate the ever-evolving global landscape, urging us to explore interwoven narratives that address broader planetary concerns. We envision Anatsui’s transformative storytelling to create meaningful discussions about our shared present and future,” says
Epic in Scale
El Anatsui’s “Behind the Red Moon” is a visual masterpiece of epic proportions. The installation fills the vast expanse of the Turbine Hall from the entrance to the back wall, making it an awe-inspiring spectacle. Comprised of three acts, the installation exudes a sense of grandeur, suggesting a sailing ship with elements of wind, water, and the cosmos.
A Tale in Three Acts
Each act within the installation weaves a unique narrative, inviting viewers to explore different facets of history and art. The first act, “The Red Moon,” greets visitors with the billowing sail of a ship overhead, its red hue reminiscent of a blood moon during a lunar eclipse. It serves as a compelling starting point, announcing the commencement of a journey across the Atlantic Ocean.
In the second act, “The World,” a golden, deconstructed sphere made up of figures suspended high in the center of the space draws our gaze. This ethereal creation prompts contemplation on the movement of people and goods during the transatlantic slave trade.
The third and final act, “The Wall,” presents a stunning floor-to-ceiling barrier that is black on one side and various colours on the reverse. This act alludes to the ancient wall of Notsie in present-day Togo, built by King Agokoli and marking the revolutionary uprising of the Ewe people.
A Journey Through History and Ideas
“Behind the Red Moon” invites visitors to embark on a profound journey through history and ideas. The installation is a symbolic representation of the interconnectedness of human civilization, the enduring legacies of migration, the dynamics of power, and the elemental forces of the natural world. El Anatsui’s art becomes a vessel through which viewers can contemplate these complex and timeless themes.
A Sense of Continuity
The final act of “Behind the Red Moon” leaves visitors with a sense of continuity. As they turn the corner, they are prompted to question whether the journey has truly concluded or if it has merely begun anew. This open-ended quality adds an element of mystery, challenging viewers to ponder the cyclical nature of history and the ceaseless evolution of ideas.
All images in this article are courtesy of Hyundai and El Anatsui.
